All posts by Paul

I am a self-employed writer, which means I’m working for an idiot who doesn’t pay me enough – but the holidays are great. I’m ex many occupations, from the respectable ‘career-ladder’ to disreputable “somebody’s- got-to-do-it”. All a good way of seeing someone else’s point-of-view. Best job, apart from writing, was dispatch-riding on a motorcycle in the 70s, though I’ve also enjoyed teaching, librarianship, counselling and helping to run a community-centre. Sometimes I’ve looked respectable in a suit, other times a bit more wild and woolly (though still stylish) as a biker. It’s strange how differently people treat you, depending on what you’re wearing. A suit means I’m sometimes addressed as ‘sir’, but in motorcycle leathers I’m always referred to as ‘mate.’ The worst job that I’ve done ? You really don’t want to know, but it was in a processed food manufacturer’s factory – put me off bacon, sausages and quiches for a long time, and made me look at pet food in a new way. I’m very glad that I don’t have any pictures. I’ve been writing since I was eight, when I penned a story about a desert island and attempted to compile a dictionary – as Clarissa does in my short story ‘The Moon Is Out Tonight’. I’ve written for magazines under a variety of pen-names, ghost-written a couple of biographies and had a column in a local newspaper. I used to concentrate on non-fiction of an informative, how-to instructional nature, as I’m a firm believer in the dissemination of knowledge to enable people to do things for themselves. Knowledge is power, and in these troubled times of economic downturn and increased intrusion into our lives by government agencies, its vital to know how to get through. My fictional stories also show people coping and finding ways to survive. I’m based in a Celtic nation, the county of Cornwall or Kernow. I’ve been here for twenty years, and have lived all over the country, as well as abroad in France, Germany, Switzerland, Spain and the U.S.A.

Reading in Bed

For as long as I can remember, I’ve read in bed before going to sleep.

I read in other places, of course, including on the ‘throne’! I’ve known several people who had bookshelves in their bathrooms, so they plainly expected you to be gone for some time and to come out from your ablutions more intelligent than when you entered.

Reading at work was easy when I was a librarian and a teacher, as it’s expected, but I once had a dreadful job on a production line in a factory that made artificial cream. I was second in the process, standing on a raised platform 12′ high, manning a stainless steel bath which tilted in a cradle operated by a large lever. Huge pipes supplied me with liquid ingredients, pumped from silos large enough to contain a bus. I filled the bath with the correct proportions of ingredients—lecithin, milk powder, gelatine, sweetener and vegetable oil, stirring it with a giant wooden spoon to prevent clogging, before tipping the mixture into another pipe which descended to filters and blending mechanisms. These pipes decreased in size until they entered the packing room, where the jollop was poured into pots to be sealed with foil lids. I was up there with nothing do for twenty minutes, in between batches, so took to reading a paperback—until the floor manager saw me. I was banned from reading…worker ants aren’t meant to use their brains.

Incidentally, the single and double ‘cream’ we made had an extra ingredient for a couple of weeks, as a lazy operative failed to clean one of the filters, which was awkward to dismantle. He went on holiday, and his replacement discovered a dead and rather rotten rat in the filter! They didn’t issue a recall for the thousands of pots of cream affected.

Laying in bed with books for companions is relaxing. I’ve lived alone for a while, but have read to wives and lovers, and occasionally been read to. There’s something that’s charmingly soothing about being told a story, like regressing to childhood.

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I’m not sure that I could easily get to sleep, without reading first. I like to ring the changes, so have four books on the go at the moment—a novel, a poetry collection, a lovely art book by David Trigg called Reading Art: Art For Book Lovers and a popular psychology book. About 90 minutes of reading sees me nodding off, and after turning the darkness on, I send a wish to my self-conscious about my WIP before descending into sleep.

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Reading in bed is a great pleasure and one that I enjoy without disturbing anyone, being a solitary soul. In the past, I’ve read to various wives and lovers at bedtime—and even been read to a few times—happy times.

Nonetheless, an inconsiderate partner who reads for hours, bedside table light blazing, can be a pain. Legendary Hollywood actress Jean Harlow supposedly divorced her third husband because he read in bed, as mentioned in this article:

Reading in bed is valid grounds for divorce

A discreet clip-on book light helps to keep the peace.

Do you read in bed?

To yourself, a partner or a child?

Do you have a clip-on book light?

Or, do you read from an ebook reader?

Or, an audiobook?

Do you ever dream about what you read?

What are you reading at the moment?

Reading In Bed by Mernet Larsen

Meeting your Favourite Author

I came across this quote recently, from J.D. Salinger’s The Catcher in the Rye:

“What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though.” 
― 
J.D. SalingerThe Catcher in the Rye

It made me think of a contradictory epigram, from Arthur Koestler:

To want to meet an author because you like his books is as ridiculous as wanting to meet the goose because you like pate de foie gras.”—Arthur Koestler

All the same, it made me wonder which of my favourite authors I’d like to have a friendly chat with—for the purposes of this flight of fancy, I’ve allowed time-travel to include deceased writers. In no particular order, my wish list includes:

Guy de Maupassant, Richard Brautigan, Michael Connelly, John Connolly, Dennis Lehane, Barbara Kingsolver, Alice Hoffmann, J B Priestley, James Lee Burke and John Steinbeck.

Who would you like to talk to?

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Jumping through Hoops

I’ve written and edited five novels since 2014. If writing a story is like wandering a world I’ve created, with beautiful scenery and fascinating characters, then editing resembles staggering through an endless swamp in thick fog, wearing lead boots; the only sign of life is the croaking of frogs—and they’re not saying nice things! 

Apart from chasing down repetitions, clumsy sentences and punctuation errors, I use lists like Diana Urban’s 43 Words You Should Cut From Your Writing Immediatelyas well as a list I’ve made of words and expressions I tend to use too much.

I firmly believe that this odious task improves the readability of my manuscript, yet, despite this, I wonder who I’m doing the editing for….Tidying my writing may impress a literary agent or publisher’s editor, though they’ll still find things to correct. As for any reader who may be drawn to my stories, I’m not sure that they’d notice the improvements. 

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The reason that I say this, is that the most frightfully written rubbish becomes a best-selling book. Also, while editing, I’ve read crime novels by three of my favourite authors, and they most definitely didn’t do any of the nit-picking I’m bogged down with at the moment. I admire Harlan Coben and Jeffery Deaver for the readability of their stories, but neither uses language beyond the vocabulary of a ten-year-old. John Connolly is more literary in style, but my jaw dropped when I read a short paragraph of five sentences, which contained the word ‘had’ nine times!

‘Had’ is one of the words I hunt down, so it made me question who edits his manuscripts, and how he gets away with such gawkiness. The answer is, of course, that he’s a successful author with a long track record. You only have to look at the monumental length of J.K. Rowling’s Harry Potter novels, which started off at the conventional word count of 80,000, but escalated to 257,000 once she’d achieved mega-sales. You don’t tell the goose that’s laying golden eggs what to do! 

Editing manuscripts feels like an initiation rite, a compulsory test that I have to do, to please gatekeepers whose judgement has little to do with what a reader likes. I’m a grumpy lion, who’s never been good at jumping through hoops, but do any of you feel the same way?

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Success, then Failure

I had doubts about posting the link to an article by Merritt Tierce, for it makes rather depressing reading. Most of us are still chasing our first book deal or struggling with how to market our self-published books, so to hear that a critically acclaimed novel made only modest sales is disheartening.

I Published My Debut Novel to Critical Acclaim—and Then I Promptly Went Broke

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It certainly put the author in a quandary, for she realised that all the praise in the world doesn’t help to pay the bills. She’s experiencing a form of writer’s block, where she wants to write but has to earn a living by working for others.

As she says: 

“I AM A WRITER WHO’S ASHAMED TO NOT KNOW HOW TO MAKE MONEY AS A WRITER.”

The very few authors who have earned great wealth from writing is a reflection of the disparity in income, wealth and influence of society—1% control a disproportionate amount.

Writing has always been a tough way to earn a living, and there are plenty of well-known authors who struggle to make ends meet:

From bestseller to bust: is this the end of an author’s life?

Kind of makes me glad, that I’m used to being poor! 

How about you?

Writer rushes into Burning Building

Some of you may have seen this story already, but I’m sure we can all sympathise with the panic of the writer who learned that his house was on fire—within, was his laptop, on which were two completed novels.

I back up my work on a memory stick and in the cloud—I hope you do too unless you’re a good runner!

Man dashes into house to save laptop, 2 completed novels from fire in New Orleans’ Broadmoor neighborhood

Writing Tips from Successful Authors

From the Guardian, a useful article full of wise advice from well-known authors.

My best writing tip by William Boyd, Jeanette Winterson, Amit Chaudhuri and more

I like what Blake Morrison has to say about going with the flow, embracing change when new ideas appear about how to tackle a scene. After all, if the writer isn’t intrigued by what’s going to happen next, why should the reader care?

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Writer’s Block

I don’t recall talking about this fearsome obstruction before, and I came across an opinion by the great Philip Pullman, with which I heartily agree:

‘I don’t believe in it (writer’s block). All writing is difficult. The most you can hope for is a day when it goes reasonably easily. Plumbers don’t get plumber’s block, and doctors don’t get doctor’s block; why should writers be the only profession that gives a special name to the difficulty of working, and then expects sympathy for it?’

I’ve never suffered from being ‘blocked’. I didn’t do any creative writing for years, but that was more down to depression and a lack of self-belief. I know that it could be argued that not believing in yourself is the cement that holds writer’s block together, but there are still techniques to get things flowing again.

If I stop feeling the creative flow, slipping out of the groove, I’ll do something else. Editing is always there, and it’s sufficient purgatory to encourage a return to creative writing. An alternative is to make plans for future novels in my series Cornish Detective crime novels, jotting down ideas and web addresses for relevant research in folders on my desktop. I find that writing poetry or song lyrics sometimes frees up ideas relevant to my WIP.

If you are affected by writer’s block, just consider what it’s made of. It could be a great big block of sugar, which (forgive the crudity) will dissolve if you just pee on it. By that, I mean release your inner demon— writing down what makes you mad about books in general, how you hate specific characters in your story and how the hell did that author get published when you can’t find an agent? Your anger is mightier than any temporary glitch.

A more genteel way to destroy an obstruction is to go around it. If you’re stuck on chapter 18, throw some paper airplane messages ahead for what occurs in chapter 20. Whether you’re a ‘planner’ or a ‘pantser’ you’ve still got an idea of where your story is headed, so jot down key phrases you intend to use, chuck in an unexpected development or think of a way to include a favourite word you’ve always wanted to use.

Creating a book is like taking a walk in a forest—there’s more than one path through the trees.

Have any of you been blocked, and how did you deal with it? 

The Good, the Bad and the Meh!

I was thinking about which authors I love, that I wish were more widely read, after finishing a novel by John Williams. He’s been acclaimed in recent years, finally receiving recognition for his wonderful story Stoner.

Set in academia, the plot sounds slight, concerning the career of an English professor and his dutiful ways and thwarted love life, but the writing is powerful and memorable. 

John Williams only wrote two volumes of poetry and four novels, which were all different in subject matter. I recently enjoyed Butcher’s Crossing. This would probably be classified as a Western, and shelved in that genre in a bookshop, owing to its 19th-century setting, but it’s writing of the highest order. There are no gunfights, but plenty of gore; it reminded me of Moby Dick in the way it portrayed a man’s obsession and flawed relationship with Nature. John Williams is definitely one of The Good.

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Bad writers are legion, and, unfortunately, they often prosper. I’ve pilloried Jeffrey Archer before on this blog, so won’t go into a rant. Sufficient to say, the man is a scoundrel and horse-whipping is too good for him. For those of you not familiar with his loathsome career:

Jeffrey Archer – Wikipedia, the free encyclopedia

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He writes with the skill of an illiterate ten-year-old, yet his novels have sold millions. It goes to prove that it’s not what you can do, but who you know that counts when seeking recognition. His contacts in the business world helped to launch his career, saving him from bankruptcy.

As for The Meh, writers who are lauded but who leave me cold, there are quite a few. Sadly, they often write what is known as ‘Literature’. By that I mean, more than anything, they are taken seriously by critics, win awards, appear at literary festivals as the main attraction and their opinions are sought on global affairs. They’re admired for their intellectualism, but their ability to tell a story leaves me going ‘huh?’

Something tells me, that Jonathan FranzenPaul Auster and Douglas Coupland would have a hard job telling a decent joke, and I’m not sure I’d want to be seated next to them at a dinner party.

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Who do you love, hate and feel apathy for? 

(I just had a thought—perhaps one’s reading tastes would make a perfect predictor of compatibility in a romantic relationship!)

Longest Wait for a Rejection Letter ever!

After spending five months at the beginning of 2015 researching the likes, dislikes, blogs, tweets and YouTube videos of literary agents, and querying 160 of them to a chorus of rejections and total silence, I’ve since run two more campaigns of querying, bringing my total of submissions to 690!

I’ve written five novels in my series featuring a Cornish detective, so can pick and choose which title to use to query. Most agents reply within six months, with the quickest taking only two hours! I have a hide like a rhinoceros, so take rejections philosophically.

I’ve learnt a lot about the querying process, for, like editing, creating a blurb and a synopsis or self-publishing on Smashwords and Amazon, you have to do it to appreciate the problems and refine your technique. 

To my astonishment, two form letter rejections came in during the last week. I queried both agencies 16 months ago! It’s polite for them to eventually reply, though I now have an image of them buried under piles of manuscripts, their hard drives clogged with queries as they labour to say ‘No’ to legions of hopeful writers.

Can any of you beat this record?