The PDF download is larger and easier to read with a magnifying glass feature.
One of the biggest changes I’ve noticed in the last six years is the attitude of big publishers towards eBooks. In 2013, those companies that issued a digital version of a print book, priced it the same or even more expensive, even though it cost them virtually nothing to store and distribute—unlike hard copies, which need warehouses, lorries and staff to handle. It almost felt like the Big 5 still secretly harboured a hatred of eBooks and were trying to kill them off by making them unaffordable.
More recently, several long-established publishers have opened imprints to promote digital sales, staffed by experienced and enthusiastic marketers. They often publish genre fiction by debut authors, which looks commercial but is still too risky to send to the printers. I think they’re still charging too much, which is why staying Indie is attractive to me, as I can ask as little as £1.99 on KDP Select to lure readers. Changing the price is as easy as a few mouse clicks. I can give my eBooks away for free for five days of every 90-day contract, to help promote sales. I haven’t heard of any mainstream digital publishers who’ll allow this.
My entire life has been dominated by books—reading them, writing them and teaching others how to read them, including adults with literacy problems.
Reading is a joy for life. I feel sorry for anyone who misses the pleasure. You need look no further than the incumbent of the American presidency to see what it does a person’s character if you don’t read.
Whatever your opinions on the pros and cons of reading from a printed book or its digital version, I’d hazard a guess, that these days, even people who proclaim that they don’t read books actually read more words daily than people did 25 years ago—thanks to computers and smartphones.
I’m currently on a cusp between going back into self-publishing and being traditionally published, should Hachette’s The Future Bookshelf deem my Cornish Detective as being sales worthy. I entered their open submission process on the spur of the moment, surprised to be asked for my full manuscript.
Maybe I should be feeling more uptight about the possibilities than I do, but my pragmatism and work ethic (where did that come from?) means that I’m keeping my head down, nose to the grindstone and not worrying about success and failure.
Overall, I’m happy that people are still reading books, and it doesn’t matter to me how they do so. It would be great if some readers were enjoying my books—as much as I do! In a way, looking at publishing, I’m surprised by the persistence of the traditional way of doing things, particularly from the stance of being a writer. Self-publishing an eBook takes minutes on KDP, with your first earnings paid two months later. Traditional publishing takes two years to accomplish the same thing.
In the 21st-century, people expect instant access to many things. Just look at the success of fast food, comparing the similarities to downloading eBooks or music files. Now think of traditional sit-down dining in a restaurant, a leisurely activity comparable to the way that publishers produce their books to be consumed. On that basis, it’s amazing that books are still printed, that it hasn’t become an activity for the elite.
But, there’s a cyber hawk on the horizon, which may do away with the effort of reading eBooks and hard copies. A while ago, I made a facetious comment on the Colony, about books being injectable.
It turns out, I may have been prescient, for Elon Musk proposes that people have an artificial intelligence chip implanted in their brains
Like any form of technology, it will be advertised as being of benefit to one’s life, making things easier and simpler—essentially appealing to the laziness within us—and, you’ll be superior to those who don’t have it.
Would you put your brain under the control of a megalomaniac?
I’m sure some people will be willing to so, ignoring the potential dangers.
It all makes me wonder what skills people will have in 50 years, as everything will be done for them, including thinking! They will be Borg.
Staying on relatively safe advantages of having a chip in your grey cells, it would mean that a ‘reader’ could have books downloaded into their noddle, allowing them to spout forth quotes and information with as much understanding of the meaning as a computer or smartphone.
Picasso put things well:
If you had a library of digital books stored in your brain, able to access the information within them, would you be deemed to be intelligent?
I previously posted in praise of Rich Reading which takes an effort to savour: if books are going to be downloaded into our brains, how are we to appreciate them?
We’re already in a situation where people don’t grow their food, don’t cook it any way but in a microwave and we don’t make our own clothing, throwing it away when it needs repairing. Driving a car will no longer be a skill, as the car does it for us. Few know how to build their own home or how to make a repair. How many of us can do mental arithmetic these days?
I can do all of these things, partly because of growing up poor, but also because I wanted to know how things work to satisfy my curiosity.
The way the future looks with Elon Musk’s proposal is that curiosity will be redundant….don’t think for yourself, we’ll do that for you.
Self-publishing is evergreen. Your book can always be in print via POD or available as an eBook. You can edit it, alter the cover or reissue it under a pen name.
The goal of many authors, to be accepted by a literary agent who touts your book around publishers has drawbacks you may not have thought of. A publisher can change your characters’ names, alter the plot and saddle it with a book cover design that’s ugly and irrelevant. Your newly published book has a shelf life of six weeks in a bookshop. If it doesn’t sell, it’s in the cut-price bin or remaindered, meaning it’s sent back to the publisher to be pulped.
If you self-publish, your earnings are higher than for comparable sales from a traditional publishing contract. I’m about to sign up to Amazon’s KDP Select programme, which offers 70% royalties + whatever I make from page reads as part of their Unlimited option. Even with their ordinary KDP authors are paid 35% of retail. Select means giving Amazon exclusivity for 90 days, meaning I can’t sell my books directly from my website, but I’m free to take a break from Select once the three-month period is over to go fully Indie—meaning I’d earn 100% of whatever sales I make.
Compare that to traditional publishing, which might pay an author $1-$2 for each book sold, those payments coming twice a year in arrears:
It’s odd how we admire musicians who release their records on their own labels, and we praise Indie filmmakers who get interesting projects financed and made, yet many people still look down their noses at writers who self-publish. It’s damned hard work to get everything together in a way that looks professional, as I can attest.
These days, it’s not the case that your publisher will do the bulk of the work in promoting their author clients—you’ll be expected to do all the things a self-publishing author does—establishing an online author platform, including blogging, running a website with a newsletter and posting on social media.
You don’t have a job for life with a book company. If your books don’t sell, you’ll be dropped. It’s better to be an unpublished writer, who might be the next big thing than to be shuffled aside as a failed author with a poor track record. Self-publishing is an attractive alternative. You can do so swiftly, not waiting up to two years before your book appears on a shelf. Most of the earnings are yours, not your publishers. If one book doesn’t sell well, there’s no stigma attached to you. Publish another one! You rule.
There are drawbacks. It’s difficult to get physical copies of your masterpiece into bookshops, though the way that independent stores are reinventing themselves, including focusing on local writers, that situation is changing. Bear in mind, though, that should you manage to distribute your titles, it will be on a sales or return basis, with you paying shipping expenses. Another potential expense is paying for your book to be displayed prominently with the store. Few readers realise that the reason James Patterson novels are all over the shop, including at the till, is that his publisher has bought those spaces.
Your local library system will stock digital and POD versions of your work—a great way of getting your name known.
I’m not expecting miracles from self-publishing my Cornish Detective series with Amazon. I have six years of experience publishing on Smashwords and Draft2Digital, so I know how many authors are doing the same thing as me. Amazon does more to promote sales, but it’s still a steep learning curve.
What do you think of self-publishing?
Do you buy eBooks to read?
With your own books, is it traditional publishing only or the bottom drawer forever?
As I continue my rambling way towards self-publishing my series of crime novels this summer, I had the alarming thought last night, that I hadn’t yet uploaded my first two stories to my WordPress Cornish Detective website to make them available to readers as downloads.
How to do that? Should they be in MS Word (.doc) format or as a PDF…or, both? And, how does the book cover fit into all of this? I found two helpful articles about both formats, then spent three hours faffing around attempting to get the Word (.doc) version to appear on my site. I’ve moaned about the complexity of WordPress before on this blog, so I won’t go on. One of the problems with WordPress is that it’s regularly updated, as are the plug-in widgets that operate it, meaning that online advice about how to do things is quickly outdated.
Getting a blog about writing and a website on my books up and running has felt like the Labours of Hercules.
None of this activity feels like being a writer. And, anything I’ve read about WordPress hasn’t been reading for pleasure. As for my novels, they exist as intransigent digital files—it’s hard to think of them as books.
Weary with frustration, I shut down my laptop and went to bed with five books…I’m a promiscuous reader!
Laying there in the company of real books, that I could feel, smell and move around wherever I wanted them, I enjoyed the sensuality of the experience.
I’m dedicated to self-publishing eBooks this summer, with POD to follow if readers ask for it, but as an activity it feels as sexy as scrubbing bathroom grouting clean!
For the reader, Kindles and other eBook reading devices have advantages, such as anonymity and being able to store many titles, but they’re not alluring or likely to encourage conversation. These are paranoid times, with mass surveillance of the population, meaning we seek ways to preserve whatever privacy we can—including stealth reading.
I’ve chuntered on about designing book covers several times on this blog, including here and here.
I’ve recently been redesigning the covers of my crime novel series for launching them as eBooks this summer.
The importance of a book cover can’t be overstated, as it’s the first thing that a potential reader sees. Your story takes on an identity from the image on the cover, the colours used and the typography.
I have mixed feelings about it. It would work well on Fantasy and Science Fiction stories, but less so for Crime tales. As for Erotica, I’m staying away from that area—after all, what ‘object’ would you choose to highlight in the foreground of the image…the mind boggles, as might the cover!
The movement of an image would certainly catch the eye, as it’s how we’re hardwired, but is it a bit naff, a gimmicky trick, a bit tasteless like black velvet paintings?
It goes to prove how unregulated the internet is, with corporations such as Google and Amazon happy to take money from unscrupulous traders without checking what it is they’re selling. Just think of the plagiarism scandal on Amazon books.