Tag Archives: Surveys

Paper beats Pixels

This article on which book format is best for enhancing literacy and language skills and bonding with the parent seems to back up other surveys about ebooks.

Ebook readers certainly have their advantages, mainly being able to carry dozens of titles, but we interact with a screen differently to how we relate to a physical object. A book isn’t just the words on the page, it’s a physical object that we feel with our skin, that we manipulate with our hands and which smells in a way that’s redolent of a pleasurable experience—think of the odour of a new bookshop and of a secondhand books emporium. Hard to get turned on by the smell of a smart device, be it a laptop, phone or Kindle.

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Having a glass screen between us and the words is not only a barrier but also carries connotations of being work-related or a way of killing time with meaningless web surfing. Neither attitude is conducive to achieving the type of concentration needed to learn from and enjoy a book.

A 2014 survey showed that recall of events in a mystery story was worse by those who read using a Kindle.

Furthermore, reading from a device that’s basically shining a light into your face, is a poor way of relaxing while you’re in bed, as your body needs to produce melatonin for you to sleep properly.

This article in the Guardian explores some of the problems with ebooks, not the least of which are plagiarism and piracy.

It’s sometimes said that ‘Imitation is the sincerest form of flattery,’ but it doesn’t apply to what is effectively fraud. A writer acquaintance, who’s written a series of modestly successful children’s adventure stories, published as ebooks, was alerted by a friend travelling in Asia that her books were for sale in China as cheap paperbacks. Her friend moved onto India, where she also found them in street markets. She recognised them, as she’d designed the book covers—which had been altered to look like Chinese and Indian children. So far as they could ascertain, the supposed authors’ names were the only thing the plagiarist wrote themselves. The writer could only speculate on how many millions of sales she’d made, without knowing it. There was no way of stopping the trade.

Should this piracy have occurred in the West, legal action could be taken, but even when that happens, book pirates fight back. It beggars belief, but one of the most notorious of them has launched a GoFundMe campaign to pay for his defence against being sued.

Do you ever feel like the world is going increasingly wrong?

I sound like I’m against ebooks, which isn’t the case, what with 45 titles published and five novels to begin releasing this summer. I must admit, I’ve never read a novel in digital format. The most I’ve read is probably a few thousand words of a PDF download writing guide.

I’m online for 12 hours daily, up until midnight, 90 minutes before I fall asleep—time I fill with reading a book in physical form—my brain appreciates the change of pace.

If you have children, how do you read to them?

What format do you read for pleasure…and for work?

Bad Reviews

It’s sometimes said that getting a bad review is better than getting no reviews at all. Some readers like checking out what a book is really like if there are loads of one and two-star reviews amongst higher ratings. As Oscar Wilde advised: There is only one thing in life worse than being talked about, and that is not being talked about.

Criticism can be succinct. The pithy humorist Ambrose Bierce was asked to evaluate a sleep-inducing tome and apparently, he handed in a caustic one-line review: The covers of this book are too far apart.

That doesn’t mean to say that harsh words don’t hurt. As Thomas Mann has written:

Our receptivity to praise stands in no relationship to our vulnerability to mean disdain and spiteful abuse. No matter how stupid such abuse is, no matter how plainly impelled by private rancours, as an expression of hostility it occupies us far more deeply and lastingly than praise. Which is very foolish, since enemies are, of course, the necessary concomitant of any robust life, the very proof of its strength.”

Jean Cocteau took a sanguine  approach to critics:

Listen very carefully to the first criticisms of your work. Note just what it is about your work that the reviewers don’t like; it may be the only thing in your work that is original and worthwhile.”

I was prompted into starting this thread, after reading a witty review of a 1973 British science fiction film, called The Final Programme, which was on the Talking Pictures channel of Freeview recently. Based on a novel written by Michael Moorcock, strangely, it was the only one of his books to be filmed. From the outset, it’s a mess, and curious about its history, I looked online. One critic found the film “an almost unmitigated disaster”, with “an ending so inane that you will want your money back even if you wait and see it on television.

A poor review for a film can mean box office disaster, though there are plenty of movies that were savaged by critics, but loved by audiences. This tends to happen with a series of films, where the standard deteriorates: Scary Movie 5 was detested by the critics, but still filled theatre seats, making a profit of $58.4 million.

I thought that with books, readers would pay more attention to reviews, as it’s certainly one of the ways that I choose what to read, but according to several surveys I looked at, a tiny percentage, about 2%, cite reviews as being a determining factor. Rather, people choose by browsing within a genre they favour and look for authors they already know.

This should be encouraging, though there’s still the problem of how to get known in the first place. As unknown authors, if we’re self-publishing, we’re advised that it’s vital to get favourable book reviews, and hustlers made a lucrative living offering pay-for reviews.

I admit, that when looking for books to read, by requesting them from my public library, a bad review will put me off, though I retain loyalty to authors that I like so I may try a title that gets panned. Some fans of best-selling writers don’t care either way. At the time of writing, in April 2019, E.L. James has just published her first novel outside the 50 Shades series. Called The Mister, I’ve yet to see a good review of it.

Will that affect sales?

What do you think?

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