Tag Archives: Oscar Wilde

Making Memorable Quotes

We all remember memorable openings and closing lines of famous novels – the ‘It is a truth universally acknowledged’ and ‘After all, tomorrow is another day’ phrases that have entered the language as expressions. 

Sometimes powerful quotes are lifted from the body of the narrative, and it helps if the writer is witty, such as Oscar Wilde with this observation from The Picture Of Dorian Gray – ‘Nowadays people know the price of everything and the value of nothing.’

I’ve wondered how much an author laboured at coming up with something meaningful, hoping it would pass into posterity. I didn’t consciously try to compose anything pithy while writing my novels. If I did write something that reflected a character’s view of the world, it was more as a way of summing them up than meant for posterity. All the same, my beta-readers commented on several phrases that I’d used, which was encouraging.

Their praise set me to thinking that I should, perhaps, sprinkle a few pearls of wisdom into my writing – only in passing, not setting them up as some portentous pronouncement to the universe! Readers like phrases that ring true to them – I know that I do.

I had proof of this a few years ago, when I found an interesting novella in my local out-of-town discount retailer, a place that sellseverything, including remaindered books. It was a book called The Fly Truffler, written by Gustaf Sobin – an American-born writer, who lived in France, and who had more success with his poetry than prose. I was intrigued by the story, as I didn’t know that truffles could be traced by the flies that hover above where they’re growing. I’d heard of truffle hunters using pigs and dogs to find them.

Image result for The Fly-Truffler by Gustaf Sobin


The story is about an ill-advised affair between a middle-aged professor and one of his students. It’s intense and poetic reading, and I really enjoyed it. 

http://www.amazon.co.uk/The-Fly-Truffler-Gustaf-Sobin/dp/0393321797

As the discounted book was only 50p, I bought several copies to give to friends. They all picked out a couple of sentences that had struck me as being wise and expressive :

Maybe it’s not a person we fall in love with so much as a distance, a depth which that particular person happens to embody. Perhaps it’s some inconsolable quality in that person, some unappeasable dimension that attracts one all the more forcibly’

It fascinated me, that we’d all noticed the same thing, and again I wondered how consciously the author had chosen his words.

Do any of you pause for thought, trying to come up with memorable phrases that might take on a life of their own? And, if you do, how about some examples…

Bad Reviews

It’s sometimes said that getting a bad review is better than getting no reviews at all. Some readers like checking out what a book is really like if there are loads of one and two-star reviews amongst higher ratings. As Oscar Wilde advised: There is only one thing in life worse than being talked about, and that is not being talked about.

Criticism can be succinct. The pithy humorist Ambrose Bierce was asked to evaluate a sleep-inducing tome and apparently, he handed in a caustic one-line review: The covers of this book are too far apart.

That doesn’t mean to say that harsh words don’t hurt. As Thomas Mann has written:

Our receptivity to praise stands in no relationship to our vulnerability to mean disdain and spiteful abuse. No matter how stupid such abuse is, no matter how plainly impelled by private rancours, as an expression of hostility it occupies us far more deeply and lastingly than praise. Which is very foolish, since enemies are, of course, the necessary concomitant of any robust life, the very proof of its strength.”

Jean Cocteau took a sanguine  approach to critics:

Listen very carefully to the first criticisms of your work. Note just what it is about your work that the reviewers don’t like; it may be the only thing in your work that is original and worthwhile.”

I was prompted into starting this thread, after reading a witty review of a 1973 British science fiction film, called The Final Programme, which was on the Talking Pictures channel of Freeview recently. Based on a novel written by Michael Moorcock, strangely, it was the only one of his books to be filmed. From the outset, it’s a mess, and curious about its history, I looked online. One critic found the film “an almost unmitigated disaster”, with “an ending so inane that you will want your money back even if you wait and see it on television.

A poor review for a film can mean box office disaster, though there are plenty of movies that were savaged by critics, but loved by audiences. This tends to happen with a series of films, where the standard deteriorates: Scary Movie 5 was detested by the critics, but still filled theatre seats, making a profit of $58.4 million.

I thought that with books, readers would pay more attention to reviews, as it’s certainly one of the ways that I choose what to read, but according to several surveys I looked at, a tiny percentage, about 2%, cite reviews as being a determining factor. Rather, people choose by browsing within a genre they favour and look for authors they already know.

This should be encouraging, though there’s still the problem of how to get known in the first place. As unknown authors, if we’re self-publishing, we’re advised that it’s vital to get favourable book reviews, and hustlers made a lucrative living offering pay-for reviews.

I admit, that when looking for books to read, by requesting them from my public library, a bad review will put me off, though I retain loyalty to authors that I like so I may try a title that gets panned. Some fans of best-selling writers don’t care either way. At the time of writing, in April 2019, E.L. James has just published her first novel outside the 50 Shades series. Called The Mister, I’ve yet to see a good review of it.

Will that affect sales?

What do you think?

Image result for rubbish book we'll publish it cartoon